Regularly attending the Senator Theatre while growing up in Baltimore, Klavens always felt there was something special about the theater. Only years later, however, did she fully appreciate its s Art Deco design.
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Not surprisingly, it was among the first venues she photographed. Her continuing photographic journey has taken her all over the country, photographing ornate city palaces and intimate small-town movie houses. As more of these historic buildings close, Klavens documents this vanishing era in American culture. About the Project: Klavens works in the traditional method, shooting on film, using only available light and long exposures for her interior views, and printing the photographs herself.
All prints are loaned by the photographer. All Rights Reserved. Photograph by Ted Neuhoff. Visitors will get to know Jim Henson through his doodles and drawings, his puppets and his fantastic performances. Seeing his original work firsthand opens a window into his visual thinking and provides both an appreciation of Henson as an artist and a reason to laugh out loud. Photo courtesy of The Jim Henson Company. From the very beginning, Henson expressed his ideas with incredible bursts of invention, through a variety of visual forms, clever dialogue, songs, comic bits and animation.
All of his work reveals a highly sophisticated and nuanced thought process, evident in the decades-long metamorphosis of a small group of captivating characters from simple doodles to cartoons to puppets to films. What began as a one-man enterprise eventually grew into an international phenomenon. Photo by John E. Barrett, courtesy of The Jim Henson Company. The exhibition is made possible by The Biography Channel.
One of the most sought after and fastest growing channels available today, The Biography Channel presents vibrant profiles of intriguing individuals, plus exciting new original series, short features and documentaries.
Established in , The Jim Henson Legacy was created by family and friends in response to the extraordinary interest in the life and work of Jim Henson. For more information, including exhibition descriptions and tour schedules, visit www. London: Britons Publishing Society, Along with the day-to-day records of Freemasonry, the Library and Archives collects anti-Masonic material. In spite of its colorful and even outlandish message, this material has an important story to tell. Suspicion of Freemasonry is nearly as old as the fraternity itself.
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Since the early s, groups have accused Freemasons of everything from plotting world revolution in their lodge rooms to worshiping Satan in their initiation ceremonies. Equating Masonic secrecy with darkness, sin, immorality, intemperance, treason, and the devil, anti-Masons have maligned the fraternity with both misconceptions and deliberate misstatements. For hundreds of years, Freemasons have promoted fellowship, charity and education among its members. Despite this positive mission, they have also needed to battle these mistaken beliefs about the organization. By looking at anti-Masonry in a historical context, we can see that objections to Freemasonry have often accompanied changes in society, such as religious revivals in America to totalitarian regimes in Europe.
In addition to helping us understand the history of Freemasonry in America, the anti-Masonic movements and ideas shed light on the social, political and religious history of the United States. Over time, anti-Masonic propaganda has taken many forms. In the s and s, following the kidnapping and presumed murder of a former Mason who threatened to publish an exposure of Masonic ritual, Americans began producing anti-Masonic newspapers, almanacs, broadsides and other pieces.
During this same period, a political party that promoted anti-Masonic candidates formed. Throughout the s and s, many religious groups and individuals—both mainstream and fringe—opposed Freemasonry as being anti-Christian or downright evil.
Most recently, groups or individuals who oppose Freemasonry have often simply reprinted or recycled the ideas found in anti-Masonic material produced years earlier. Displayed in the exhibition are many examples of anti-Masonic literature from the Van Gorden-Williams Library and Archives collection. Most contain misinformation at best or outlandish claims about Freemasonry at worst. We invite you to explore the resources in the library and archives to learn more about Freemasonry and its history to form your own opinion.
Father Time Shelf Clock, ca. Welch Manufacturing Company, Bristol, Connecticut.
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The Museum is pleased to present a focused look at this part of our holdings—a topic that has long been popular with visitors. Twenty-two watches are also presented. The exhibition is on view through February 21, Bells, public sundials, and town clocks helped people plan their business or social engagements. The exhibition also traces the history of how timepieces evolved from prizes owned by status-conscious families—as illustrated by the lovely tall case clock made by noted Boston clockmaker Benjamin Willard—to affordable objects, ubiquitous to every home.
Pocket Watch, ca. Gift of Robert O. The clockmaking revolution spurred by Connecticut inventor Eli Terry in the early s is explored, revealing how moderately-priced wooden works made affordable time pieces available to many Americans.
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Pocket watch production and ownership reached its peak in the decades between and In the mids, spurred by increasing need, capacity and competition, clock manufacturers began offering a greater variety of timepieces for purchase. Different makers hoped their products would stand out in the crowd, as most assuredly two timepieces on view did—the owl-shaped clock sold by Theodore Starr and the handsome Father Time clock manufactured by E.
Designers also created clocks to complement particular home decoration schemes. By the s, many Americans owned several clocks, selected for their size, function or style, and displayed them throughout their homes. The Plato Clock, Eugene L. Fitch, designer. Ansonia Clock Co. Michael of York, Pennsylvania. An exuberant ironwork tall clock and a 19th-century French clock, which features a female figure whose graceful arms point to the time, are a few of the many pieces from the collection on view. Michael was a tool and die maker and entrepreneur who purchased his first clock in the late s—a tall case clock crafted in the late s by George Hoff of Lancaster, Pennsylvania.
In Mr. A few years after Mr. Michael died, Mrs. Clock, s France. Lewis Hine.
Courtesy National Archives. Work and the workplace went through enormous changes between the mid th century, when 60 percent of Americans made their living as farmers, and the late 20 th century. The exhibition is part of a city national tour. The images featured in the exhibition, though possibly taken merely for purposes of recordkeeping, often reveal much more about how social forces such as immigration, gender, ethnicity, class, and technology have transformed the workforce.
Spanning the years , the images in the exhibition cover the entire range of photographs on the topic in the National Archives holdings. The exhibition will also present a video showing a variety of workplaces. The National Archives and Records Administration serves American democracy by safeguarding and preserving the records of our government, ensuring that the people can discover, use, and learn from this documentary heritage.
Among the billions of records at the National Archives are more than 11 million still pictures in theWashington, D. In addition, there are millions of photographs in the National Archives Presidential Libraries and thousands more among the records held by regional records facilities. Masonic Punch Bowl, Celebrating its th anniversary this year, the Grand Lodge is the oldest Masonic jurisdiction in the western hemisphere. The maritime industries of Massachusetts also helped the Grand Lodge extend its influence internationally during the s and the s.
As merchant, fishing and whaling ships spread across the oceans, it was petitioned to charter new lodges: in , it granted dispensation for one in Chile; in , in China; and in , Panama. The Grand Lodge first purchased the land at this spot in the late s. Unfortunately, two devastating fires—in and in —forced the Grand Lodge to rebuild. Despite losing some of their furnishings and belongings, the Grand Lodge Library opened in and Museum established in continued to collect books, documents and objects to tell the story of Freemasonry in Massachusetts and to preserve its treasures for future generations.
Today, the Museum collection has grown to over 12, objects and documents, while the Library contains 70, volumes. The new exhibition at the National Heritage Museum draws on this fascinating collection and includes more than objects, photographs and documents related to Masonic history in Massachusetts. Please join us and travel through time to meet fascinating people, enjoy festive celebrations and learn about the symbols and traditions of Massachusetts Freemasonry.